Friday, 11 April 2008

The rise of the unsigned band

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The likes of Jay-Z and Metallica may have turned fans off this year’s rock festivals, but there is something that’s sure to have them flocking back in droves.

You no longer have to scour the internet or local rags to get a sneak preview of the best of the UK’s up-and-coming bands, because they are being plucked from obscurity to play at some of Britain’s biggest music festivals, including Glastonbury and Reading.

This year, the Travelling Band and the Golden Silvers will be foremost among those new bands playing to 10,000 people at Glastonbury before they’ve even released a record or signed a contract.

Last weekend, in the small town of Pilton in Somerset – the home of the Glastonbury Festival - these two bands emerged above nationwide competition for a huge prize - the holy grail of British rock: a slot at Glastonbury, where they will play on the same bill as the likes of The Verve and Kings of Leon.

Emily Eavis, daughter of the evergreen Michael Eavis and heiress to the Glastonbury Festival, said: “We were blown away by the quality of the acts this year. In the end, though, it came down to our two winners, who were impossible to choose between. The Travelling Band totally won the room over with their gorgeous Americana and the Golden Silvers struck everyone with their originality and amazing harmonies. I can't wait to see them both at the Festival.”

Also, for the first time in its history, the Reading Festival is set to announce a dedicated stage for ten new bands at this summer’s event, following the success of the Unsigned Stage at its sister festival in Leeds last year.

The Radio One Introducing Stage at Reading will be run by BBC Introducing, a nationwide talent search for new musicians. The stage looks likely to have a capacity of up to 2000 people – a much bigger audience than many of the bands will have ever played to.

Radio One presenter Huw Stephens, whose show receives more than 500 submissions per week from unsigned hopefuls, said: “It’s hard to get on the line-up at a proper festival, so this is very exciting. We’re making it easier for new acts to get a platform at festivals and on the radio. I think the last thing bands need at the moment is to sign a major record deal. They need to support lots of bands and play lots of gigs first, to find out if people want to listen to them.”

The rise of the unsigned band was ignited in 2005 when the Arctic Monkeys shot to fame thanks to online downloads and exposure on the Myspace website alone. They at first refused to sign to a label, saying: “We've got this far without them - why should we let them in?”

Three years on, the likes of NME and BBC Radio One have cottoned on to the trend and are scouring the internet and backwater venues for unsigned bands to rub shoulders with the great and the good of rock ‘n’ roll on the main stages of the UK’s biggest music festivals.

This time a year ago, London-based pop rockers the Golden Silvers had just formed and was playing to audiences of 75 people. This June, just 11 later, the band will be playing Glastonbury in front of crowds of up to 10,000.

And all this is without the backing of a label.

Fronting the Golden Silvers is skinny-jeaned lead-singer Gwilym Gold, 25, who has taken the band’s meteoric rise very much in his stride. And he says they have done it in a new way: on merit and not on marketing. This is why, he says, record label backing is far from essential.

“I wouldn’t say we need a label, ultimately. I don’t think it’s vital. I don’t think you need to sign to one of these deals that aren’t really fair and where you aren’t getting a fair percentage of your own stuff. I would like to think we could do it on our own.”

The temptation, he admits, is not easily ignored.

“We’ve been trying to keep it all in our hands as much as possible, because the whole record label thing seems a bit dodgy. They can bribe you into it with the money, and a lot of times you can just jump into it because you get lured by the bait. But we want to be as futuristic as possible. You don’t need a record contract as much if you can think of ways to make it work on your own.”

Once upon a time, such bands and artists had to rely on fate to make it big. They prayed for a pin-striped record company executive to stride up after a gig and proclaim with a flourish of his cigar: “Good lord, you’re signed!”

But no longer. The well-documented proliferation of internet music sites and online social networks has made self-promotion increasingly easy, allowing many bands to survive without big record label backing and truly put the ‘indie’ back into independent music.

The result of this is that the major record labels, already aghast at the plummeting sales of CDs, are being cut out of the loop as artists make their way to the big-time without putting a pen to any contract paper.

Money, however, is still the sticking point for any band looking to make it by themselves. It can cost up to £15,000 to record, produce and distribute a high-quality album, and without a major contract, a band has to use DIY independent labels and raise the money themselves.

According to Stuart Clark of Music Week magazine, this is why major record labels are far from obsolete if bands want to really go far.

“As an artist you can achieve more now, without the backing of anyone else - via promotion online predominantly. And sure, if you want to pay for and release your own album yourself, you can do that, but if you don’t have distribution and a marketing budget it’s very hard.”

New Bands Editor of NME, Alex Miller, said: “I do think it’s possible for bands to exist without a label. Punk bands have been doing it for decades and the Futureheads have recently gone top ten by releasing their own music after their major label dropped them last year.”

A new band, however, will not have the established selling-power of a band like the Futureheads.

Ultimately, therefore, most new bands will be looking for a major record contract to boost their careers, but by making a name for themselves on their own they give themselves much greater leverage to get much better deals when it eventually comes to putting pen to paper.

Thursday, 10 April 2008

The voice of moderation in a time of extremes

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These are extreme times for Islam in the UK. Radical voices battle against the moderates trying to establish a mainstream Islam in Britain. Kaya Burgess speaks to the man with the task of keeping the extremists at bay.

He does not have a metal hook for a hand. Nor does he have a glass eye. Nor, even, does he have a long beard.

In fact, few people could cut a more completely different figure from that of Abu Hamza, but these are the shoes that Ahmed Mohamed Saad has to fill as Imam of Finsbury Park Mosque since late 2006.

Aged only 29, Sheikh Saad is fresh-faced and full of optimism.

And his optimism is well founded. He has just completed his first year as leader of the most notorious mosque in Britain, from whose pulpit the infamous Abu Hamza al-Masri spat his vitriol and allegedly turned dozens of young men onto a path to terrorism.

“Taking over such a notorious mosque was not easy,” says Sheikh Saad. “Abu Hamza was only here for a few years but he made a big fuss. In fact, I think it was part of the challenge - I could use the bad name of the mosque and establish a change.”

It is a pivotal time to be in charge of the most notorious mosque in the country.

Events in the last six months have cast an ever-more probing spotlight on the role of Islam in Britain. Terror trials abound in the courts, extremism proliferates on the internet, British troops remain in Iraq, and even the Archbishop of Canterbury has recommended implementing Sharia law in the UK.

Home Secretary Jacqui Smith recently spoke out against extremism on the internet, and vowed to tackle it in the same way as police currently target online paedophilia. Sheikh Saad agrees that young Muslims need protecting from these radical voices online.

“The internet is very, very dangerous,” he explains. “It is like an open space. An extremist with no real knowledge [of Islam] can spit whatever is in his mind and put it on the internet. For advice you cannot just go to the internet unless you know from a scholar or someone who specialises in this area. When your car breaks down, you don’t just search the internet, you go to a mechanic.”

But the danger for young Muslims comes not only from extremist voices within Islam, but also from a stereotyping of Islam on the internet.

When researching a presentation for the local council, Sheikh Saad typed the word ‘Islam’ into Google: “The first picture that came to me was of Osama Bin Laden. So I actually took the picture and put it in my presentation and said this is what you get when you put the word Islam into Google. It is really dangerous.”

As leader of so infamous a mosque, Sheikh Saad has had to get used to battling prejudice.

The mosque gained notoriety as the parish of radical cleric Abu Hamza al-Masri, whose disciples include shoe-bomber Richard Reid and alleged 9/11 hijacker Zacarias Moussaoui.

Police raided the mosque in 2003 to find equipment including chemical warfare protection suits, three blank-firing pistols, a stun gun and CS spray. Even after he was evicted from the mosque, Abu Hamza famously continued his sermons on the street outside, before his arrest under the Terrorism Act in 2004. He is currently awaiting deportation to the US to face charges of kidnapping.

“When I say I’m from Finsbury Park Mosque, people think that’s something dodgy,” explains Sheikh Saad. “I’ve had to change the totally negative image that was widespread about it.”

He blames the creation of this image not only on the “damage” caused by the extremists, but also on the exaggeration in the media, whose cartoon-style demonisation of Abu Hamza and his activities at the Mosque has depicted the North London Central Mosque (as it is now known) as a hotbed of radicalism.

“If you let yourself be haunted by talk of radicalisation you’ll never do anything,” explains Sheikh Saad. “So we get on with our work and let people judge the outcome. We are working against the radicalisation of children.

“What we are doing is very obvious, we are not doing any underground work or secret things. If we aren’t doing it, no-one else will reach out to the youths, because they feel that they have been intimidated by the media, so they need our trust.”

Although it seems that the mosque is winning the fight against extremsim, the battle is far from won. Sheikh Saad’s moderate views have won him enemies as well as friends. The extremist followers of Abu Hamza’s ancien régime still lurk in the shadows of the local community.

“There are so many people who want to dominate this mosque, people from extremist backgrounds who want to make use of the mosque, because there was no permanent English-speaking Imam before I came.”

“Even the local Somali, Algerian and other communities want to dominate the Mosque, but the mosque cannot belong to one group alone, it is for everybody. Keeping everyone happy and belonging to nobody and everybody at the same time is hard.”

He seems unperturbed by this, however. His composure reflects his position as part of Islam’s mainstream, the voice of moderation in a time of extremes.

“I have come across quite a few extremists in my year here. For example I was speaking about the Glasgow events [last summer] and saying it could not be accepted under any name or cover.

“I was attacked verbally by one of the people who stood up in the middle of the speech and started shouting and then left. He said ‘you are pleasing the non-Muslim government. He was only one of a thousand people sitting there. One of the astonishing things was that I got a letter from one of the congregation afterwards thanking me for being strong enough to stand up and speak the truth in front of these people. He even gave me a box of chocolates!”

He stresses the need to be watchful for people who have been seduced by radical ideas.

“When you dig in their past you will find there is always extremism in their background. Some of them are very very dangerous criminals. All of a sudden, because of a change, they have started practising – or what they call practising – so they grow their beard, they grow their hair, they wear a turban or anything and they start acting. But before you start practising the religion, you have to be brought up, to be trained on the morals of religion, rather than just the appearance of religion.”

He blames this lack of understanding on their lack of contact with true Islamic teaching, and says that many people are growing increasingly concerned about struggles abroad.

“When they see that Iraq, Afghanistan and Palestine are three Muslim countries that are occupied and they see the atrocities that are happening there, they become frustrated. They are justified in being angry and voicing that anger, but they have to do it in a positive way.”

His mobile phone vibrates on his desk. He has been politely ignoring it for half an hour, but answers it now. It is his wife, waiting downstairs with his young son, who have arrived to go with him to the airport to catch a flight to Cairo.

Ahmed Mohamed Saad was born in Egypt in 1979 and grew up in a religious family. He excelled in his studies and gained a place at Cairo’s al-Azhar University, the oldest educational institution in the world. The al-Azhar University has a worldwide reputation for schooling many of the world’s most venerated Imams, and is known for the moderate stance of its graduates.

After leaving Egypt, Ahmed Saad went on to tour Europe, Asia and America before visiting Britain and falling in love with London.

At the end of 2006, the trustees of the mosque, many of whom came from the Muslim Association of Britain, were keen to make Finsbury Park Mosque a flagship of moderate Islam in Britain, and appointed Ahmed Saad as Imam of the mosque to help “work against radicalisation”.

Part of his role as Imam is to help educate the younger members of his congregation and teach them about the dangers of the radical minority within Islam.

The example of Samina Malik, who was convicted under the Terrorism Act in Jaunary, should act as a potent reminder of the danger of being seduced by extremist propaganda.

She wrote:

Continue to slice back and forth,
You'll feel the knife hit the wind and food pipe,
but don't stop, continue with all your might.

This is an excerpt from a poem called How To Behead, posted on an online forum by Samina Malik under her moniker the ‘Lyrical Terrorist’.

When police raided her flat in 2006, they found manuals on poison-making, terrorist training and firearm maintenance, all of which she had easily downloaded from the internet. On her profile on the social networking website Hi5, she lists her interests as: “Helping the mujaheddin in any way I can”.

But were her words evil, or simply naïve? Radical Islamist groups such as Hizb-ut Tahrir have condemned her trial as an indictment of free speech. However, under the letter of the law, her poems were deemed to be glorifying terrorism, which is now a crime.

“I’ve read her poems online,” says Sheikh Saad, “and I don’t think it is poetry. These are almost words of hallucination, said by a crazy woman at a time of craziness. I don’t know why it was taken in this way, though, or why was she treated so harshly.

“But why did she write things like this? Before you ask people not to judge you, you’ve got to think ‘what am I supposed to say’, ‘how am I supposed to say it’? Will my words be an instigation? I might say something I don’t believe in, but someone else might take me literally and start believing in it.”

Malik’s seduction by extremist propaganda online becomes less surprising when you discover the extent of radical material on the world wide web. The accessiblity of radical information on the net is remarkable, as the briefest investigation reveals.

For instance, a Google search for the term ‘beheadings’ returns over 800,000 results. The majority of these are links to legitimate informational websites, however, three of the first ten results alone offer “beheading videos”, “Real Faces of Death” clips and footage of the execution of Daniel Pearl. One such video on YouTube, showing the killing of an American soldier in Iraq, has been watched 30,000 times since it was posted five months ago.

However, the position of Islam in Western society exists in a delicate balance, following a counter-surge of anti-Islamic propaganda. The infamous drawing by Danish cartoonist Kurt Westergaard depicting Mohamed with a bomb in his turban sparked worldwide protests. Now, Dutch MP Geert Wilders has posted a video online which says: “Stop Islamisation. Defend our freedom.”

Sheikh Saad, too, has been the target of anti-Islamic voices.

“I received a very offensive caricature, depicting me as the Imam with women around me, describing all Muslims as radicals and polygamists – it was really obscene. On many of the things I get sent, people can’t even spell Imam – it’s addressed to ‘Iman’ or ‘Aman’ or ‘Amam’. It shows the lack of understanding and education there is between Muslims and others.”

Beyond the rows of neatly stacked shoes and traditional wash-basins, the Imam’s office looks out onto the biggest Muslim prayer hall in North London, where bare-footed men kneel in silent prayer in the half-light of a winter’s sunset. Despite his youth, Sheikh Saad commands great respect at the mosque, and this is clear from the respectfully hushed tones in which a member of his congregation addresses him as we leave his office.

“I need to put a barrier between myself and the people, and keep it up at all times,” he explains.

“They should not treat me as a normal person. They have to trust me as their Imam and bring their most intimate secrets to me – they have to feel they are my friends, but must not forget that I am their Imam.

“They cannot joke with me, because if they get behind this barrier, my image as an Imam would be broken and I would no longer be effective. You have to keep people in awe and respect. But with love as well. It is not about fear, but respect.”

He leads us down the stairs where I find my shoes in the foyer. As we stand in the fading sunlight, he talks of his vision for the progression of Islam in the UK.

“The future for Islam in the UK is improving,” he explains, “and I am very optimistic. Muslims have a better chance of doing well here than almost anywhere in the world, possibly even more than in their home countries.

“This country has a lot of freedom and space for Muslims. The only thing they need is to start self-investigation, to analyse the causes of extremism and start a dialogue within Muslim circles.”

Back outside, Ahmed’s wife stands with their son on the pavement, where the fading sunlight casts a long shadow of the mosque’s minaret over the spot where Abu Hamza held his infamous outdoor sermons.

She smiles, safe in the knowledge that her children will grow up in a neighbourhood made safer by her husband in what seems to be a new era for Finsbury Park Mosque.